Dan McCormack

Brief description: With the pinhole camera and digital colorizations, I create a series of visceral images that probe the unconscious, stepping away from the literal reality and choosing instead to speak with an expressionism. This imagery is a hybrid of Photography and Digital Printmaking. www.danmccormack.net

Location:

Interests:

Skills:

Contact email: dan_mccormack@yahoo.com

Website: http://www.danmccormack.net/gallery-4/Cat_N

About me

 

I began studying Photography around 1965 at the Institute of Design in Chicago. My studies with Aaron Siskind, Joe Jachna, Arthur Siegal and Wynn Bullock gave me first hand experience with truly creative photographers.

At the Art Institute of Chicago around 1967, I began photographing the nude with Wendy, my wife, and I began making multiple image prints. Then for over forty years I explored various techniques and processes while photographing the nude as a central theme.

In 1998 I began to work with pinhole photography. I use an oatmeal box pinhole camera to make 8x10 inch B&W negatives. With its extreme wide angle and distortion, the camera gives me results that are constantly a surprise. I develop the B&W negatives, scan them into Photoshop, and then colorize the image by pulling curves in each of the channels. I make an images rooted in 16th Century pinhole optics juxtaposed with 21st Century digital print manipulations. These newest photographs of mine are a hybrid of Photography and Digital Printmaking.

I currently head the Photography program at Marist College in Poughkeepsie, NY where I teach photography classes.

 

 

 
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I began studying Photography around 1965 at the Institute of Design in Chicago. My studies with Aaron Siskind, Joe Jachna, Arthur Siegal and Wynn Bullock gave me first hand experience with truly creative photographers.

At the Art Institute of Chicago around 1967, I began photographing the nude with Wendy, my wife, and I began making multiple image prints. Then for over forty years I explored various techniques and processes while photographing the nude as a central theme.

In 1998 I began to work with pinhole photography. I use an oatmeal box pinhole camera to make 8x10 inch B&W negatives. With its extreme wide angle and distortion, the camera gives me results that are constantly a surprise. I develop the B&W negatives, scan them into Photoshop, and then colorize the image by pulling curves in each of the channels. I make an images rooted in 16th Century pinhole optics juxtaposed with 21st Century digital print manipulations. These newest photographs of mine are a hybrid of Photography and Digital Printmaking.

I currently head the Photography program at Marist College in Poughkeepsie, NY where I teach photography classes.

 

 

 

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Dan McCormack

Brief description: With the pinhole camera and digital colorizations, I create a series of visceral images that probe the unconscious, stepping away from the literal reality and choosing instead to speak with an expressionism. This imagery is a hybrid of Photography and Digital Printmaking. www.danmccormack.net

Location:

Interests:

Skills:

Contact email: dan_mccormack@yahoo.com

Website: http://www.danmccormack.net/gallery-4/Cat_N

About me

 

I began studying Photography around 1965 at the Institute of Design in Chicago. My studies with Aaron Siskind, Joe Jachna, Arthur Siegal and Wynn Bullock gave me first hand experience with truly creative photographers.

At the Art Institute of Chicago around 1967, I began photographing the nude with Wendy, my wife, and I began making multiple image prints. Then for over forty years I explored various techniques and processes while photographing the nude as a central theme.

In 1998 I began to work with pinhole photography. I use an oatmeal box pinhole camera to make 8x10 inch B&W negatives. With its extreme wide angle and distortion, the camera gives me results that are constantly a surprise. I develop the B&W negatives, scan them into Photoshop, and then colorize the image by pulling curves in each of the channels. I make an images rooted in 16th Century pinhole optics juxtaposed with 21st Century digital print manipulations. These newest photographs of mine are a hybrid of Photography and Digital Printmaking.

I currently head the Photography program at Marist College in Poughkeepsie, NY where I teach photography classes.

 

 

 
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I began studying Photography around 1965 at the Institute of Design in Chicago. My studies with Aaron Siskind, Joe Jachna, Arthur Siegal and Wynn Bullock gave me first hand experience with truly creative photographers.

At the Art Institute of Chicago around 1967, I began photographing the nude with Wendy, my wife, and I began making multiple image prints. Then for over forty years I explored various techniques and processes while photographing the nude as a central theme.

In 1998 I began to work with pinhole photography. I use an oatmeal box pinhole camera to make 8x10 inch B&W negatives. With its extreme wide angle and distortion, the camera gives me results that are constantly a surprise. I develop the B&W negatives, scan them into Photoshop, and then colorize the image by pulling curves in each of the channels. I make an images rooted in 16th Century pinhole optics juxtaposed with 21st Century digital print manipulations. These newest photographs of mine are a hybrid of Photography and Digital Printmaking.

I currently head the Photography program at Marist College in Poughkeepsie, NY where I teach photography classes.

 

 

 

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